The Fiji media have run brief articles about a project to sort and display Fijian artifacts that 'belong' to Cambridge University in England. But the articles are almost identical with a handout from the Fiji government. I have altered one article a little, and in ten minutes found out much more information. Why don't the journalists take the time and bother to write their own versions with just a little bit of research on the web?
November 29, 2012 adapted from article by MAIKA
BOLATIKI in the Fiji Sun.
A three-year Fijian Art Project in the United
Kingdom is a collaborative three-year
project, starting from May 2012 to April 2014, which aims to unlock the
potential of the outstanding collections of Fijian art, material culture and
associated photographs and archives, held in museums in the United Kingdom.
The
bulk of these Fijian collections have never been displayed, nor have they ever
been thoroughly researched or documented.
The
project involves cataloguing about 3000 Fijian artefacts from the 18th century
collected by traders, missionaries, whalers and colonial officials during their
visits to Fiji. They aim to carry out a
major exhibition of Fijian artefacts in the UK in the summer of 2013.
Fiji’s
High Commissioner to the United Kingdom Solo Mara said.
“Fijian artworks catalogued so far are visually impressive and beautifully made. They include sculptures in wood and ivory, shell and ivory regalia, ritual equipment, weapons, pottery and large decorated textiles. Central to pre-Christian and post-conversion religious practices, and often heavily Tongan-influenced, many of these objects played an active role in British-Fijian relations because of their voyaging, missionary and colonial ties, resulting in significant collections being held in UK museums.”
“Fijian artworks catalogued so far are visually impressive and beautifully made. They include sculptures in wood and ivory, shell and ivory regalia, ritual equipment, weapons, pottery and large decorated textiles. Central to pre-Christian and post-conversion religious practices, and often heavily Tongan-influenced, many of these objects played an active role in British-Fijian relations because of their voyaging, missionary and colonial ties, resulting in significant collections being held in UK museums.”
He said the project’s most extensive collections-based research will be conducted at the MAA in Cambridge, which holds probably the most important collection of Fijian objects, outside of Fiji.
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Welcome to the
Fijian Art Research Project
Fijian Art: political power, sacred value, social transformation
and collecting since the 18th century is anArts and Humanities Research Council (AHRC) sponsored research project that is
being jointly hosted by the Sainsbury Research Unit (SRU) at the University of East Anglia and
theMuseum of Archaeology and Anthropology (MAA) at the University of Cambridge. The
collaborative 3-year project, set to run from May 2011 to April 2014, aims to
unlock the potential of the outstanding collections of Fijian art, material
culture and associated photographs and archives held in museums in the United
Kingdom and abroad. The bulk of these Fijian collections have never been
displayed, nor have they ever been thoroughly researched or documented.
Fijian artworks are visually impressive and beautifully made;
they include sculptures in wood and ivory, shell and ivory regalia, ritual
equipment, weapons, pottery and large decorated textiles. Central to
pre-Christian and post-conversion religious practices, and often heavily
Tongan-influenced, many of these objects played an active role in
British-Fijian relations because of their voyaging, missionary and colonial
ties, resulting in significant collections being held in UK museums. The project’s
most extensive collections-based research will be conducted at the MAA in
Cambridge, which holds probably the most important collection of Fijian
objects, outside of Fiji, in the world.
By collaborating with other museums, in particular the project’s
nine official project partners, the dynamic diversity of
Fijian art since the 18th century will be systematically researched, analysed,
documented and identified. Other museums housing Fijian material will also
participate in the project, as will the National Archives. These collaborative
partnerships will allow Fijian collections to be made more accessible and also
enhance existing museum records via expert identification and analysis.
Among the main objectives of the project is to contribute to
significant knowledge-transfer by disseminating research results to the
broadest range of academic and public audiences. This objective will be
achieved through exhibitions, catalogues, publications, outreach programmes and
conferences. The project's outputs will enable UK and overseas museums to
display and interpret their Fijian material for the benefit of multiple
stakeholders, including the British-Fijian communities in the United Kingdom as
well as the global Fijian population.
http://www.fijianart.sru.uea.ac.uk/
Fijian Art
Research Project team undertakes a major research visit to Fiji, Australia and
New Zealand (24/9/2012)
Several members of the project team visited Fiji, Australia and
New Zealand this September, conducting research into museum collections and
archives. From mid-August, Lucie Carreau was conducting research in Fiji,
tracing the subject locations of watercolour landscape paintings made by
Constance Gordon Cumming during the 1870s. In New Zealand, Steven Hooper spent
the early part of September examining Western Polynesian collections at the
Auckland War Memorial Museum with curator of Pacific material Fuli Pereira, and
discussing the project with staff at the University of Auckland's
Department of Pacific Studies.
In Fiji, Steven and Lucie were joined by Anita Herle, Karen
Jacobs and Fiji's own Fergus Clunie. While Steven, Fergus and Karen focused
their attentions on the unparalleled collections of the Fiji Museum with the
assistance of Sagale Buadromo and her staff, Anita was particularly keen to
also review rare documents in the National Archives of Fiji. The highlight of
the team's visit was an audience with His Excellency, the President of Fiji,
Ratu Epeli Nailatikau, to update him on the project's progress. The team had
the rare honour of paying a visit to the historic chiefly island of Bau,
realising an ambition that some had held for many years. During their time in
Fiji, the team also discussed issues of Fijian heritage with representatives of
the iTaukei Trust Fund Board.
The second half of September saw the team move on to Australia,
where they examined the fine Fijian collections of the Australian Museum in
Sydney and the University of Sydney's Macleay Museum. Much valuable research
work was also conducted on the unique archival collections of the Mitchell
Library.
Double-figure
‘god-image’; whale ivory, beads; 12.2cm; early 19th century, probably made by
Tongan craftsmen resident in Fiji. Acquired by Sir Arthur Gordon, first
Governor of Fiji, 1875-80. Museum of Archaeology and Anthropology, University
of Cambridge, 1955.247 (photo: University of Cambridge Museum of Archaeology
and Anthropology).
+ Enlarge this image
